What do you notice about the melody of the concerto for two pianos by Poulenc?

What do you notice about the melody of the concerto for two pianos by Poulenc?

If the movement begins alla Mozart, it quickly veers, at the entrance of the second piano, toward a style that was standard for me at that time.” Poulenc’s exquisite opening melody closely resembles a Mozart slow-movement theme, but it contains odd chromatic (half-step) inflections that would never have been heard in …

Who composed Concerto for Two Piano?

Francis PoulencConcerto for Two Pianos and Orchestra / Composer

What is the texture of concerto for two pianos by Poulenc?

Poulenc’s finale is a syncretic Rondo that merges the insouciance of a Parisian music hall and the mesmerizing sonorities of a gamelan orchestra. Its scintillating patter and energetic rhythms produce a vivacious, effervescent effect.

Is Mozart piano concerto 21 hard?

Piano Concerto No. 21 is among the most technically demanding of all Mozart’s concerti. The composer’s own father, Leopold Mozart, described it as “astonishingly difficult.” The difficulty lies less in the intricacy of the notes on the page than in playing those many notes smoothly and elegantly.

How many instruments are in a 2 Piano Concerto?

The concerto is scored for two pianos and an orchestra of flute, piccolo, two oboes (second doubling cor anglais), two clarinets, two bassoons, two horns, two trumpets, two trombones, tuba, snare drum, shallow snare drum, bass drum, castanets, triangle, military drum, suspended cymbal, and strings.

What makes the Poulenc Concerto for two pianos so special?

As brilliant as it sounds, the Poulenc Concerto for Two Pianos demands of its piano soloists more skills of ensemble than of technique. Although the pianos intersperse conversational interludes, conventional cadenzas are absent. Throughout the concerto, the pianists play nearly continuously, sometimes unaccompanied by the orchestra.

Who is the dedicatee of La traviata Concerto?

The concerto was commissioned by and dedicated to the Princess Edmond de Polignac, an American-born arts patron to whom many early-20th-century masterpieces are dedicated, including Stravinsky ‘s Renard, Ravel ‘s Pavane pour une infante défunte, Kurt Weill ‘s Second Symphony, and Satie ‘s Socrate.