How do you make a kick sound good?
Here are 7 great tips on how to make your kick drum sound better.
- PUSH THE MID FREQUENCIES. Contrarily to what most people think, the bass drum is not all about the low end.
- USE SATURATION.
- TRIGGERING.
- PARALLEL COMPRESSION.
- PARALLEL EQ.
- MAKE SPACE FOR THE LOW END.
- 808 KICK.
What frequency should a kick drum be?
Kick drums can be tuned to have a fundamental frequency as low as 50 Hz and as high at 80 or 90 Hz depending on the drum size, the type of drumheads used and the style of music that is being played.
What should a kick drum EQ look like?
Different genres have different drum EQ, but those two areas are universal when it comes to a good kick drum sound.
- 50 – 100 Hz – Boost to add low-end punch.
- 150 – 250 Hz – If you’re worried about boosting the low-end too much because you think the kick drum is already pretty thick, try cutting in this area.
Should I EQ my kick drum?
Whether that’s a syncopated, off-beat feel for jazz or a 16th note blast beat in a metal track. When it comes into context with a full mix, how you EQ your kick drum also plays a huge part in the overall sound of the track. For example, in modern metal tracks you want that a powerful, cutting kick drum tone.
How do you EQ kick and bass?
Similarly, a lot of basses need some accentuation of the high end to bring out the attack and articulation. Experiment with EQ in ranges other than the low end to find which frequencies bring your kick and bass into focus. EQing kick and bass is one of the most challenging parts of mixing and ultimately mastering a track.
What are the best EQ settings for mastering?
EQ Recommendations for Mastering (Quick Guide) The following are the settings I used (that is a good setting to start but it may depend on your mix down so you need to do minor tweaks): Low shelf cut: 30Hz (Not recommended for rock, pop and country music as you would need to have a strong sub-bass for additional punch)
What EQ settings should be applied to a kick sample?
Similar EQ settings could be applied to a kick sample prepared from the same kit. A high‑pass filter at 65Hz minimises inessential low‑end energy, while a parametric boost at 82Hz, with a medium ‘Q’ setting, emphasises the ‘right’ band of low frequencies.